Annie Dillard published “Pilgrim at Tinker Creek” in 1974 when she was in her late twenties. I’d heard of it but had never paid any attention. Then a month ago I ordered it. I was in for a pleasant surprise. It’s not an easy read but it challenges you to listen to the words, the questions, to reflect and see the world through a new lens. “Pilgrim” Annie’s first book of prose has been compared to Henry David Thoreau’s “Walden.” There are some similarities; but Annie Dillard has her own distinct voice.
Dillard’s Tinker Creek is in the Roanoke Valley, Virginia, part of the Blue Ridge Mountains. The book is divided into the four seasons and follows the narrator’s thoughts on nature, solitude, writing, and theology. In the first chapter, “Heaven and Earth in Jest” Dillard describes her house: “I live by a creek, Tinker Creek, in a valley in Virginia’s Blue Ridge. An anchorite’s hermitage is called an anchor-hold; some anchor-holds were simple sheds clamped to the side of a church like a barnacle or a rock. I think of this house clamped to the side of Tinker Creek as an anchor-hold. It holds me at anchor to the rock bottom of the creek itself and keeps me steadied in the current, as a sea anchor does, facing the stream of light pouring down. It’s a good place to live; there’s a lot to think about.”
Dillard reflects on nature, flora and fauna; it’s structure and complexity; it’s positives and negatives. In most chapters she demonstrates amazing powers of observation. I was constantly reminded of Sherlock Holmes comment to Watson, “You see, but you do not observe. The distinction is clear. For example, you have frequently seen the steps which lead up from the hall to this room. . . You have not observed. And yet you have seen. Now I know there are seventeen steps, because I Have both seen and observed.” As she explores her environment, the natural world, Dillard refers to “seeing” but she is observing in amazing detail.
“Last week I found a brown, cocoon like object, light and dry, and pocketed it in an outside unlined pocket where it wouldn’t warm and come alive. Then I saw on the ground another one, slightly torn open, so I split it further with my fingers, and saw a pale froth. I held it closer, the froth took on an intricacy. I held it next to my eye and saw a tiny spider, yellowish but so infinitesimal it was translucent, waving each of its height legs in what was clearly threat behavior.” Chapter four is devoted to praying mantis, their egg cases and adult behavior when they emerge.
Dillard watches birds, a coot, a goldfinch, grasshoppers, a water bug sucking a frog dry, a muskrat, aquatic life which she brings to her microscope. She reflects on the landscape, mountains, creek, trees and various plants. Nothing seems to escape her scrutiny. Her language is poetic. She has published several books of poetry.
Dillard’s observation and reflection on the natural world leads her to theological questions. The second part of many chapters links the natural world to the supernatural. Questions of God, of goodness, and the harshness of the natural world. Dillard does not see herself as a nature writer. She is a pilgrim on a journey of discovery.
Dillard references many books that have inspired or guided her. I believe her graduate dissertation was on “Walden.” I like how she will reference an experience, something she saw, heard or smelled pages later. “Pilgrim at Tinker Creek” is a book that will require a second reading. I also want to read some of Dillard’s other books. I bought “The Maytrees: a novel.” It is set in Cape Cod. Dillard’s “seeing;” and Sherlock Holmes’s “observation;” reminded me of the close attention to detail that I began calling Cape Cod “focus.” Connections.